A single copy of The 2C Chronicle, a four-page form newspaper, compiled, written and drawn on both sides of a single sheet, and bearing on its masthead the date of his fourteenth birthday, reveals a combination of artistic flair, humour and close observation. This one-boy editorial and production team was practising in a microcosmic, juvenile way the profession of his father, Ulric Van den Bogaerde, Art Editor of the mighty Times. During his time at art school, Dirk wrote short plays, some with his girlfriend Nerine Cox; one of these, Dark Comfort, they performed together at the village hall in Newick run by her father. He wrote poetry to her - dark, troubled lines about the so-called Great War, steeped in foreboding at further imminent strife. Regrettably, only the first volume of the journal he kept in the Army was spared from the bonfire in the mid-Eighties on which he destroyed so much of his archive; however, it contains a draft in pencil of a poem, ‘The Sniper’, which, retitled ‘Man in the Bush’, would be published in The Times Literary Supplement just five months after its creator’s 20th birthday. Another, ‘Steel Cathedrals’, about the melancholy of travel by railway for the soldier in training, appeared in Poetry Review and many years later would be reprinted in several anthologies.

Otherwise, apart from a couple of magazine cartoons, nothing has surfaced of Dirk’s writings for a wider audience from either the European or Indian wartime theatres. << >>

 

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Dirk Bogarde's FROG